Unless, of course, you play the story as a mystery rather than an action film, opening the film with a brief montage of the assassins' crimes and then spending the rest following Neutron's alter ego Carlos as he tries to track them down through dogged detective work. Granted, Carlos' investigation does lead him to a shady karate school run by German Robles - a set-up which makes possible the gratifying spectacle of Fernando Oses beating up Chucho Salinas.Otherwise, however, manages the downright impressive feat of taking a concept that involves a masked wrestler and a gang of unstoppable martial arts killers and turning it into an incredibly talky and boring motion picture.
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The story busies itself with a conflict between Doctor Caronte and a rival gang of spies, as well as a lot of puzzling over the identities of both Neutron and Doctor Caronte.
This last bit took me by surprise, because I never expect the characters in these movies to even to the fact that one of the other characters is wearing a mask, much less wonder who they might be beneath it.
It's been noted elsewhere that the modus operandi of the killer here is similar to that of the killer in Michael Powell's - specifically in that he films the murders as he commits them - but it's of little consequence, since the standard whodunit structure, necessitating that we only get fleeting glimpses of the killer in the course of committing his crimes, makes this film about as far from Powell's intimate psychological portrait as you could get.
(Not that you would expect that, mind you, but imagine how awesome it would be if this film actually was an attempt at a faithful remake of , out of the four Neutron movies I've seen, is the most like a standard lucha film, mainly due to the nature of its padding; for one, it has an actual wrestling match in it (and with Fernando Oses, no less), and it also has, like Santo's , a shitload of nightclub set musical numbers.
Still, despite some slow moments, the film has at its center probably the greatest - and, as would logically follow, the weirdest - of all the mad scientists in the wide, wide field of mad scientists to fill the villain's shoes in a lucha movie, the titular Doctor Caronte himself, who is of course joined by his freaky little dwarf assistant-and-maybe-boyfriend Nick and his army of home-baked zombie slaves, The Death Robots. This time around the Doctor has somehow managed to restore his laboratory to the same state of gothic ruin that it was in before it was blown up at the end of and has resumed his obsessive quest to capture the formula for the Neutron Bomb (which, again, apparently doesn't have anything to do with Neutron).
It is up to Neutron to stop him of course, though the masked hero's presence doesn't seem to loom as large over this film as it did the previous one.
One of those numbers is performed by an act called Hector Cabrera and His Gay Crooners, and I want someone to give me a medal for not making a joke about that.
is not an intrinsically terrible film, but it's certainly an odd showcase for the Neutron that we've come to know and perhaps love over the course of the three previous films.
Caronte needs lots of human blood in order to keep alive the collection of talking, disembodied brains, harvested from captured scientists, from whom he hopes to learn the secrets of the much coveted Neutron Bomb (which, as far as I can understand, is not a bomb that just kills Neutron, but more like a regular bomb, only better somehow).